The tool will them change to the Red Eyedropper to identify the color to remove. First, use the Green Eyedropper to identify the color to keep. The Dual Color Selection Brush is actually 3 different tools in one. Complex areas require the Dual Color Selection Brush. There are a couple simple areas to exclude, so I used the Red Brush to outline them and filled them with the Red Fill Bucket.ģ. Next, using the Green Basic Brush, I drew an outline around the areas I want to protect and then filled it with the Green Fill Bucket. By clicking Blue Reset button, the entire photo filled with blue. Since I need a complex mask to knock out the sky, I started with a blue fill to force ReMask to really work. These three color together create the Trimask which ReMask uses to calculate the final mask. Normally, ReMask starts with a green fill (for protected areas) and you would draw areas with red (for areas to cut) and blue (for areas to compute). When you launch Topaz ReMask 3.2 in Photoshop CS5, it will create a duplicate layer and open that layer in the plugin’s interface. Starting with a Blue Fill instead of Green. After a few minutes with ReMask, I turned it into an Everything Bagel!ġ. In the original shot of the Brooklyn Bridge, the sky was as boring as a plain bagel. Now in Version 3.2, Topaz ReMask is a powerful masking utility that can handle very complex situations in a fairly simple way. Topaz Labs released the first version of ReMask in Fall 2009 as an easy tool to create Photoshop masks.
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